Everything hops, simultaneous on high wires, apple trees.
Parsley.
Caroline. Radio-solid, state-cow, chicken-chow, castle-ton-up, scuttle-coal and kayak climbing.
We set fire to his tie.

The river, brown and slow. Army, surplus, Dostoyevsky.
Thinking in sunlight, the Dead Grass Bowl in the motorway night. Death and the fiddler. The farmer in the dark room, charcoal developer. Startright, flashlight Dartmoor granite. Doubled figures falling flying fighting laughing howling hand on paper. Marks on canvas.
Roof light.
Warehouse.

Flung concerted wall-size chapel surface. Deserted dogs baying to Atlantis bow. T
The river, cold, metal, highway, brick. Country lane vines entangled, strangled, giant paintings rotten-carpet, stretcher-bearer sleeping. Life measured, out with coffee, out the window,
backwards in a yellow Ford Capri.
Lasciate ogni speranza, voi ch’entrate. A handmade wasteland.

Typesetter, red letter, lover, lonewolf, stuffed crow, drawing gridlines tracing grant photos back to soho, with passion and grief enlarger. Lost lives. Great composers: zodiac and the syquest of the violet sky that hides me from myself. Rhymes with shelf.Desperation animation, running cheetah, 235 West 46. Dry Martini basement horror, shower, curtain, long-hair, biker, print and Life and litho,
Serpentine on a cold morning. Iron stone, pigeon crashing station sleepers, late night burgers cat-fight rat-bite from my bed the red word State,
in the night and the wetbike morning.
Bates motel, carpet, carpark, basement-grey, boardroom, table car campaign. Night and night and orange flame, fireside story push the buttons Chelsea College drama tellers.
Rothschild can. Football screen: Borneo one, Goldwasser Shell. Amnesia.
A wall-full of clouds.
Pinstripe-beachwear, white-mast ticking, clockwork-orange-trailer.
Trash-metal breastplate, chainsaw dancing, garden torture. 

The ripped-up floor, the collage-face, the sky-bird nightmare slow dawn chorus. Smoke filled the air on the kingfisher lawn. Tail-lights streamed the late-night prison. Side-lamp. Roman, 43.
Ropework, seagull cold grass sky. Spread sheet bed-sheet strangled vision, stripper, stalker, corporate banker. Sell-out buy-out scratching clause, night-flight iceberg IBM. Shameless. Nameless. Let’s pretend. Diamond geyser stopcock.
Theft bereft abandon shipment. Red deer hotel snooker ball.
Aye. I am the river. 

Tebay. Motherwell. Petercoulter. Road-kill night-fall Darwin firelight.
Hushed by trees, the window over the overgrown garden.
Snow on the hills, slush-tyre sky, guitar-stone drums, cold-fingered and Drumnadrochit. Aberlour. Cairngorm. Icegrass. Shelterstone, bearing nowhere.
Nightrain redweather skymirror
darkgasburnerblue and soundofravenshaulingcold.

Air given unforgiven. Wet-gloved fingers on damp green bones.
Skeleton hillside in killing fields with scattered small skulls under hawk wings calling.
Capture cloud, mist-lung fog-bound city-mission oil-man. Raw charcoal.
Earth owl burial. Studio-floor, scattering stone photos, fragments black
and tattered white-stain paper moulded bare-bulb black-run phonecall.
Mountains. In mountains. Grey fish city trail, written word and bearded smoker, distant now but calling still. Demanding tribute, borrowed time on laid on thick, the clean clear outline island stillness, cormorant and man-priest. Cave dweller. Bird man.
The sighted zoo-keeper and the bellman cried.
The oil-rad stone warm painted drama: an open-witted timex journey, small child outwith.

The broken, break-peace mile-on traveller and the white-cube tunnel-reader father Thames.
Bone stitcher, feather-struck. Heart of darkness clockwork photo process motion life place footwork finish sky-light building junction-meaning railway sea-girt collage, layer on layer on layer.
M2. The written word. Spoken four.
Clarity, complexity, synchronicity and sea air.
Hunting and home and sword fights with loaded weapons.
Nightlight firesmoke, homework studio, conjunct disjunct liminal fall. Ludwig Camberwell, narrative powder-monkey. The drawn word. Lives and lives and lies and curling edges, lost threads and water-stains. Truth and ism. Story and stories but you do not exist.  Complicity and history and unnaturality.
Dog-face newborn boat-burning ceremony. Torn genes and lair on lair, the crockery family disputation: the dinner-plate insulted the wounded cat. Delicat.
Drawn to love, love child to fury
battering the door down to care and not stumbling, falling chaos in the garden. Wardrobes in flight. Bones in the cupboard.

Bookcase guardrail treetop sunlight Beekman Brooklyn trainsmash. White and white and wall-written promise. Us and them, we now, they then, forever never heaven in a basketcase in point and line and plane, all coming back to me and them in their flailing shouting carpet-stained Brazilian adventure. Open box, skin light and palm tree toucan tragic. Gunshot unshot in the wide-high city spread seaward like Pandora. Like everything: the street-slap sleep suburban colour-coded dog-bark roaring negotiation beyond purpose, without identity. Drawing life. Writing smells. Watching birds, birds in the wire, swallows in the pool, blue shallow nothing, films and angry. Heating drums high tower traffic ink on the skin in a village hilltop helicity hell on the edge of the forest, the long dark forest far from the island. That same synchronous thing: the Island-City.

The hill behind is the hill behind where the sea sounds is the city listening in red-white radio masthead and written on the telepoles is the poem. O poema. The city marches the island floats a sea wanderer archeo-logic, eyeless house and sea-cave street-life. Record the music. Leaves. Dancing hip-swing post-master lady grind, faghag magwitchriverside Friday Night party.
The ferry draws away, flies again above Funchal beyond Mindelo, Fernando do Noronha.

Requiem. Victoriana. Last resort. Sand-blasted glass-drawn Vauxhall curse hearse, rope-twisted cliff fall. The light seahorse whitemare and jellyfish hangplant cashman.
Standing rucksack beach-wash tears, and death, and death.
7a tidal sugar-plant Nepalese illness. Sunlight and peace. Crackedup warehouse.
Corridor rooflight fire-escape creekmud. Studios peeling.
Archeo-portrait, artist logbook, face-mould darling partisan chef.
Chinese sky and private butcher long street night arch running-mate.
Nine feet wrap-around pencil landscape dancing monkey swallow-dive.
Elegant ladies twist their parasols. Paranoia podcast creeping shadows. Darkness.
Drums and Argentina, the desert and the fireland.
Faces written forecast wartime firefly trenchfoot wine.
Unhand the social climber,that non-com graphite inkling with revolutionary beards.
Driving poetry.
Future dust garden.
Drawing insurrection and all the people multiplied. Insignificant glorious muchness: the van man standing corner moment. Over and over. Dead and buried.
Run sun chariot, race mother-face cliff-top. Ordinary skies. 

Everything. And simultaneous.