PRESENCE
Images drawn from a ring-binder found in a box in the studio in which a sheaf of contact prints had been left forgotten for forty years.
The image is inhabited.
Reliving.
ABSENCE
Real time floats in celluloid from a cine film circa 1950. The medium becomes the image.
Sportsday
The fluid moment echoed in the extravagence of accidents and contrivance.
Marks and other indications
Graphite as a means of enquiry
RESIDUE
The past is myself
Forbearance.
Re-inhabiting the image.
Self contrained by the form of earlier genetic patterns.